![]() ![]() Regarding the pedal, I believe it was not excessive (I suppose it's a matter of your taste) but let me tell you that you probably did not need to put a pedal indication in bars 13 and 14 since you make use of it when you are already sustaining the notes.įinally, as you can see I have only discussed your score in terms of what's written but not in how it sounds. There are a lot of examples you can hint easily (bars 4-7, 9, 11, 20-22, 26-27, 39 are those that I hinted). There would be no problem if the distance from the lowest pitch note to the highest on that hand weren't two full octaves, which makes that bar unplayable. You have a tetrad in your left hand that lasts the whole bar while a second voice starts and goes down to E (which is hardly achievable without a pedal but could be done I suppose) while the rhythmic ostinato from your first bars continues with a fourth voice added on top of it. You have a lot of examples of it, indeed the majority of the piece starting from the 4th bar doesn't seem to be playable with two hands only. First of all, why didn't you choose B Major which would be easier for pianists to read? I believe it would be easier to read for pianists, but that makes me go straight to my second point please correct me if I am mistaken but a single pianist cannot perform what you wrote simultaneously. ![]()
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